By Kedar Mishra
Highly endowed flutist Srinibas Satpathy led a band with a sweet slow note on Raag Bairagi, mounting up to a high note and merged in the oceanic chant of Budhhist liberation. It was expected from Srinibas that he could have worked a little harder to bring up a different impression, something different, something as a souvenir to cherish for long. Of course, there is always a next time!
A young group of dancers from Utkal Sangeet Mahavidyalaya, led by their young and talented teachers Pankaj Pradhan and Baijayanti Madhusmita, came up as a bunch of fresh hope and presented a couple of beautiful compositions. They started with an invocatory piece Bishweswar Bandana, an offering to Lord Shiva set to Raag-Madhyamadi and Tal-Ektali followed by a Pallavi on same taal and raag. There concluding item was Dikshya -an Odissi dance drama, narrating the historic Kalinga war and the transformation of warrior king Ashoka to a Budhhist follower. First two pieces were well designed and well choreographed, but the dance drama part lacked imagination and was presented in a too obvious fashion.
Painting of Fire
It was fire all around, with lines and zeroes, with visuals of void and poetry in flaming movement. It was Thanga Ta, the martial art of Manipur by the students of Anjika, Kolkata led by Priti Patel created many a magical moments on stage with their skill and chivalry. It was a brilliant blend of philosophy with deeply practiced skill. Fire as an object and spirit, manifested its countless forms in speedily moving bodies of dancers and their weapons.
Dr. Arvinda Kumar Padhee, Commissioner-cum-Secretary, Tourism & Culture; Dr. Minati Mishra, Eminent Danseuse and former Principal, Utkal Sangeet Mahavidyalaya; Shri Manoranjan Patnaik, Director, Tourism; Shri Arabinda Sahoo, Director, Ruchi Masala and Guru Aruna Mohanty, Eminent Odissi Dancer were present on stage as guests The programme was compeered by Smt. Sangita Gosain and En. Srinivas Ghatuari.
Source: Newsdesk